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A brief recount of the story of Trajan Pro 3 and Trajan Sans Pro, written by John D. Berry, a famed industry expert and author, was posted on Adobe’s Web site. Gerasimos “Gerry” Leonidas and I acted as non-Latin design consultants.
The launch of Trajan Pro 3 and Trajan Sans Pro happened to coincide with a significant book project devoted to ancient Roman inscriptional letter (capitalis monumentalis)—first and foremost to the style used for the lettering at the base of the Trajan column. Titled The Eternal Letter, the book was published by the MIT Press in early 2015. Its editor Paul Shaw, a well-known American type historian, included my two short essays in this monograph—on the role of the Trajan letter in the history of Soviet typographic design, and the development of Cyrillic versions of Adobe’s two typefaces, Trajan Pro 3 and Trajan Sans Pro.
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